Following Endgame and Krapp's Last Tape, this book looks at Beckett's notebook for Waiting for Godot. The volume is in part a facsimile of the notebook kept by Beckett for Berlin's Schiller-Theater production in 1975. It contains a full set of directional notes and discloses, section-by-section, a total system that works by repitition and analogy, musical rhythm and echo, establishing subtle patterns of sound, movement and gestures.