Damien Hirst and his friend, the writer Gordon Burn, provide in On the Way to Work a fascinating window into the mind of one of the most successful artists of the turn of the 21st century. The book, which is beautifully produced, illustrated, and typeset, is a collection of interviews, the first on the eve of Hirst's first major exhibition at the Institute of Contemporary Arts in London--when he unveiled his infamous shark suspended in a vat of formaldehyde (1991's wonderfully titled The Physical Impossibility of Death in the Mind of Someone Living. While the book is certainly skewed toward the later years (one interview in January 1992, one in April 1996, three in 1999, and seven in 2000), the reader does get a broad overview of how Hirst's relationships to life, art, and money have progressed. Hirst's fame, his spearheading of the YBA (young British artists) phenomenon, and his subsequent exposure in the gossip columns with the well-documented, and inevitable, drug and drink stories, are all fully covered here. But it is Hirst's genuinely profound artistic imagination and insight that best come across: his obsession with death--and with needing to prove his talent as a way to be immortalized in order to escape death--and his ambivalence toward art (the kind of ambivalence much of the public itself exhibits toward modern art) are key here. Also illuminating is Hirst's respect and admiration for Francis Bacon, as well as our discovery of Hirst's skill as a racon