The Australian artist, Vali Meyers, was a legend in her own time. Premiere danseuse of the Melbourne Modern Ballet at seventeen, she left home and spent ten years in Paris, living much of the time on the streets but never ceasing to draw. Ed van der Elskin famously put her on the cover of his Love on the Left Bank, that manifesto of Paris in the 1950's and her work was praised by George Plimpton in his Paris Review. Then, saying good-bye to all that, she spent forty years in semi-seclusion in a wild canyon in Italy, where she continued producing her minute, mystical, and passionate drawings. Tough as nails, she fought the local authorities who wanted to introduce loggers into the valley, after a long struggle succeeding in having it designated an Environmental Oasis. Finally, Vali returned triumphant to her native Melbourne, where she was recognized as an artist sui generis. In this brilliant memoir by her friend and lover, Gianni Menichetti, her art, times, and personality come through unforgettably.