Give Unto Others
A Commissario Brunetti Mystery
Commissario Brunetti #31Donna Leon
ISBN: | 9781529151619 |
Publisher: | HUTCHINSON PUBLISHING - TRADE |
Published: | 1 March, 2022 |
Format: | Paperback |
Language: | English |
Links | |
Editions: |
25 other editions
of this product
|
- 1 Death at La Fenice
- 2 Death in a Strange Country
- 3 Dressed for Death
- 4 Death and Judgment
- 5 Acqua Alta
- 6 Quietly in Their Sleep
- 7 A Noble Radiance
- 8 Fatal Remedies
- 9 Friends in High Places
- 10 A Sea of Troubles
- 11 Wilful Behaviour
- 12 Uniform Justice
- 13 Doctored Evidence
- 14 Blood from a Stone
- 15 Through a Glass Darkly
- 16 Suffer the Little Children
- 17 The Girl of His Dreams
- 18 About Face
- 19 A Question of Belief
- 20 Drawing Conclusions
- 21 Beastly Things
- 22 The Golden Egg
- 23 By its Cover
- 24 Falling In Love
- 25 The Waters of Eternal Youth
- 26 Earthly Remains
- 27 The Temptation of Forgiveness
- 28 Unto Us a Son Is Given
- 29 Trace Elements
- 30 Transient Desires
- 31 Give Unto Others
- 32 So Shall You Reap
- 33 A Refiner's Fire
Give Unto Others
A Commissario Brunetti Mystery
Commissario Brunetti #31Donna Leon
The celebrated Venetian detective returns in his 31st case in a year of celebration for his author, Donna Leon Once again, Commissario Guido Brunetti is willing to bend police rules for an acquaintance, even though Elisabetta Foscarini, the woman who asks the favour, is not really a friend. But her mother was good to Brunetti's, so he feels he has no choice but to repay the debt and agrees to look into the matter 'privately', rather than as a police official. Her son-in-law has alarmed his wife by telling her they might be in danger because of something he's involved with. Because Enrico Fenzo is an accountant, Brunetti suspects that the likely reason must be the finances of one of his clients. Brunetti takes a look and finds little- one client is an optician, another Fenzo`s father-in-law, whom he helped establish a charity, another the owner of a restaurant. He is about to tell his friend that he can find no reason for preoccupation when her daughter's place of work is vandalised, forcing Brunetti to turn his attention - still 'private' - to Elisabetta's own family. What he discovers shows the Janus-faced nature of yet another Italian institution as well as the wobbly line that attempts to differentiate between the criminal and the non-criminal.
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