ere in evidence. It is clear that he did not set himself to master the poet's art, yet through the mask of conventional verse which often falls into doggerel, the voice of a true poet is heard. In selecting the pieces for this volume I have put in the vigorous sea verses of John Marr in their entirety and added those others from his Battle Pieces, Timoleon, etc, that best indicate the quality of their author's personality. The prose supplement to battle pieces has been included because i