The Australian Musical

From the beginning

Cover Art for 9781760529666, The Australian Musical by Peter Pinne, Wyllie Johnston, Peter
ISBN: 9781760529666
Publisher: Allen & Unwin
Published: 1 November, 2019
Format: Hardcover
Language: English
Links Allen And Unwin
Editions:
3 other editions of this product
Saving: Saving: $46.39 or 37%

Musical theatre has a special place in the hearts of Australians. Whether it is The Boy from Oz, Bran Nue Dae or Muriel's Wedding, we love to see Australian stories on the big stage with all the glamour, energy and vibrancy a musical can offer.However magical they are on stage, performances leave behind few traces. Australia has a rich, hidden history of achievement in musical theatre which is now largely forgotten. Drawing on their long careers in musical performance, and extensive research in public and private collections, Peter Wyllie Johnston and Peter Pinne have compiled a definitive account of the history of musical theatre in Australia. From small amateur performances in the early days, to international achievements, to the new wave of Australian musicals from the 1990s right through to the explosion of creativity in the 21st century, they recount the emotional roller-coaster of successes and disappointments of one of the most demanding art forms. Also included is an authoritative guide to over 300 Australian musicals. Richly illustrated with colour photos from the early days to the present, The Australian Musical is a book to treasure for years to come, and an invaluable resource for anyone involved with theatre and music.'This history helps to cement my relationship with Australian musical theater, which is in for the long haul.' - TED CHAPIN, President, The Rodgers & Hammerstein Organization 'This fine book is surely the family tree of the Australian musical - an impressive study and fascinating read.' - REG LIVERMORE AO'Groundbreaking . . . strips away assumptions and misconceptions about Australian musicals, and exposes their true history for the first time' - from the introduction by MARK MADAMA, Associate Professor of Musical Theatre, University of Michigan

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